Right-click on the nest, go to the Multicam menu and choose Enable. Then you would change your track targeting to make sure you are pasting the clips on the correct track, and finally, put the playhead where you want to paste and then perform the paste operation.īut that’s a lot of clicking, and we don’t have time for all that! Instead, try this. You could open the nest, copy the clips, and return to your timeline. However, down the road, you’d like to get those clips out of the nest. Let’s say you’ve cut together a string of b-roll you really like, and want to nest it all together to prevent accidentally separating the clips, or just for organization purposes in your timeline. If you think about multicams in that way, then you can use their tricks to help you with your edit, even if you don’t plan on doing any Multicam editing. A Multicam sequence is basically just a nested sequence with some specific audio settings if you happen to use Multicam audio at all. If you like to work with nests in your timeline, then this handy shortcut trick is for you. Even though the command appears in both the timeline and in the Source Monitor, you can assign it the same exact shortcut key.įor me, I’ve chosen Cmd/Ctrl+F, as I generally want to Match Frame my clip into the source monitor, then reveal other relevant clips in the bin with it at the same time. You can set up that command with a shortcut key. You can do that by right-clicking on a clip in either your timeline, or from the Source Monitor, and choosing Reveal in Project. This is just one of many uses of Match Frame, but what I find myself needing to do often is to get from a clip in my timeline to the bin. This will load that clip into your Source Monitor, where you can find a new In and Out Point and cut the clip back into your timeline. If you aren’t familiar with it, by default, you put your playhead over a clip in your timeline and press F on the keyboard. Match Frame is one of the most powerful tools you can use. I’ll use this command often when I am pulling selects, say from a string of b-roll, and I want to group similar items together. You can also isolate the command to just a specific group of clips by selecting those clips first, then pressing the shortcut. When you press the Close Gap shortcut key with nothing selected in your timeline, Premiere Pro will automatically find all of the gaps between clips and close them up. Assigning a shortcut key for the Close Gap command But once you do, it’s an effective way to quickly tackle assembly edits or pull selects. It should show up in Premiere after a restart of the program.The command Close Gap in the keyboard shortcut menu is not assigned to your keyboard when you first launch Premiere Pro, so you’ll need to assign it manually. kys file, navigate through this file structure - Documents/Adobe/Premiere Pro/(version #)/Profile-(computer name)/Mac - and copy it into that last folder. To make sure that the new mapping shows up in Premiere, copy the. kys file that you can add to your list of keyboard mappings. When you download the "FCP7 Advanced" layout (again by clicking the giant image below), you'll not only get the full-size image of the keyboard cheat sheet, but also a. Click the image to download the larger version, which you can print out and keep on your desk.Īlso, if you're one of the many folks who spent years with FCP7 and still have those keyboard shortcuts burned into your muscle memory, Dylan is also sharing a custom keyboard preset that you can add to Premiere that will give you a much better experience than the FCP7 preset that is built into the software. First up, the default Premiere keyboard layout. If you're one of the many editors that have made the jump over to Premiere Pro in recent years, Emmy-winning editor Dylan Osborn has created some really handy cheat sheets that give you a birdseye view of every shortcut that you could ever need. They will save you so much time in the long run. I often harp on the importance of keyboard shortcuts in editing, and for good reason.
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